How to Invoice as a Videographer: Rates, Terms and Templates
Videographer invoicing: day rates and packages, milestone payments, deliverables on the invoice, mistakes, and a video production template.
TL;DR: Invoice video production at milestones (creative treatment, shoot wrap, rough cut, final delivery), list deliverables with resolution, length, and revision count, separate gear rental and crew pass-throughs from your creative fee, and note usage/licence terms on every invoice.
Video production spans pre-production, shoot days, and post. Invoices tied to milestones—creative treatment, shoot, rough cut, final delivery—keep cash flow aligned with your edit hours.
Raw footage, licensed music, and colour grade tiers are classic scope creep zones—name them explicitly before you colour inside the lines for free. Caption files, vertical cut-downs, and stills for social are easy to assume “included” unless each appears in the quote and again on the invoice. Director or client attend days on location sometimes bill at different rates than standard shooting—if so, name the attendee and rate basis on the invoice.
Typical rates
Half / full day rates for filming; hourly or flat for editing; licensing for usage duration and territory. Gear packages as separate lines. The U.S. Copyright Office FAQ helps clients understand why usage terms belong on paperwork, not just in email—pair that with your own local rate survey.
Day rates ($1,000-$3,500+ for shooting depending on market and gear package) are the standard for production work. Hourly editing rates ($75-$200+) suit post-production where timelines shift. Project-based flat fees work for defined deliverables (30-second spot, 3-minute brand video) with clear scope. Monthly retainers ($2,000-$8,000+) suit ongoing content creation for marketing teams that need regular social and web video.
Raise rates when you invest in cinema-grade equipment (RED, ARRI, Blackmagic), when you develop specialisation (aerial, underwater, automotive), or when your reel demonstrates broadcast-quality work. Editors with colour grading, sound design, and motion graphics skills command premium post-production rates because they reduce the client's need for multiple vendors.
Second shooter and drone as optional add-ons with their own half-day minimums keep your main package easy to quote. Colour grade tiers (basic versus full film look) should be priced before the client sees the first corrected frame. Livestream or hybrid event feeds may require separate crew or encoder rentals—if you are not the AV vendor, say who supplied gear and what you billed for. Location fees, parking, and meals for multi-day shoots stack fast—either bundle a per diem into the package or list pass-throughs with receipt references.
Sample invoice line items
| Description | Qty | Rate | Amount |
|---|---|---|---|
| Shoot day -- brand video, on-location (crew of 2, 10-hr day) | 1 day | $2,800 flat | $2,800.00 |
| Editing -- 90-second hero video (rough cut + 2 revision rounds) | 1 | $1,500 flat | $1,500.00 |
| Social cut-downs -- 3 x 15-sec vertical edits for Instagram/TikTok | 3 | $250/cut | $750.00 |
| Drone footage -- aerial establishing shots (FAA Part 107 certified) | 0.5 day | $600 flat | $600.00 |
| Licensed music -- Artlist annual plan (project-specific track) | 1 track | pass-through | $65.00 |
| Colour grade -- full film look (DaVinci Resolve, hero video + socials) | 1 | $400 flat | $400.00 |
When to send the invoice
For milestone-based video projects, invoice at each production phase: deposit at project kick-off (before pre-production), second draw at shoot wrap, and final balance on delivery of approved final files. This three-stage approach is standard for independent videographers and small production companies.
On wedding and event videography, collect 50% at contract signing (often 6-12 months before the event) and 50% before the event or within 7 days of delivery. Do not release final files before the balance is paid.
For ongoing content retainers, invoice monthly at the start of each period. Include a content calendar recap showing what was shot, edited, and delivered in the previous month.
Payment terms
50% upfront before the shoot is common for independents; remaining 50% on final delivery or split across milestones. Corporate: Net 30 with PO number. Rush edits: 100% upfront or premium rate stated on the invoice. For long documentaries, bill per production phase so you are not financing six months of post alone. See invoice payment terms for Net and late-fee wording.
What to include
Project name, shoot date(s), deliverable list (length, resolution, revisions included), music licensing notes if billed, hard costs (location, hired crew pass-through), subtotal per phase, tax, total, due date, rights summary reference (“per agreement dated…”). Use how to write an invoice for complete header/footer fields.
Attach revision count to each milestone invoice (“rough cut includes two rounds”). Link statement of work filename in notes when procurement requires it.
Common mistakes
Unlimited revisions not clarified—scope creep eats margin. Raw footage handoff not priced in advance. Licensing only in email—reference the deal on the invoice. Late final payment holding masters—state release terms in contract and reminder invoices. Archive storage offered indefinitely without a line item—bill annually or cap included months. Expense receipts submitted after client month-end—send within 48 hours of wrap. B-roll-only shoot days priced like hero commercial days—if the rate differs, the invoice should name footage intended use so no one expects a TV spot from a same-day social capture.
Template link
Our video production invoice template supports phased billing and production line items.
FAQ
Should I charge for raw footage delivery? Yes. Raw footage delivery requires additional hard-drive or cloud-storage costs, transfer time, and potentially file-format conversion. Price it as an add-on ($200-$500+ depending on volume) and note it on the invoice. Many clients assume raw footage is included -- set expectations in the contract and reference it when they ask.
How do I handle revision rounds that exceed the scope? Define included revision rounds per deliverable in the contract (e.g., "rough cut includes 2 rounds of revisions"). Bill additional rounds as a separate line item at an hourly or per-round rate. On the invoice, note "additional revision round 3 -- beyond included 2 rounds" so the client sees the boundary clearly.
What is the best way to licence my work for commercial use? Specify usage terms (media, territory, duration) in the contract and reference them on the invoice ("usage: digital + broadcast, North America, 12 months"). If the client wants to extend usage later, issue a new licence invoice. This allows you to price proportionally to the value the video delivers across different channels.
Duplicate milestone templates for commercial vs wedding workflows so terminology stays authentic to each client type.
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